Ashwood

executive search identity

A thirty-year-old search firm was about to start selling itself formally for the first time, with a reputation held entirely in relationships and no account of itself it could hand to anyone else. Kiln built one from the bottom: what the firm is for, then what it says, then how it sounds, then how it looks, and the site last. No layer was settled until the one beneath it would carry weight, which is what stops a rebrand designing the surface first and writing the rationale backwards to fit it. Every decision was logged against its layer with its evidence, so a later question could be settled by looking it up rather than argued again.

The card

Location
United Kingdom
Year
2026
Scale
Practice
Role
Design

Before the identity

The field

Kiln reviewed the firms Ashwood is measured against and the ones it competes with directly. The category says the same things: organised by sector, the same claims about relationships and reach, general statements standing where evidence might have. The few exceptions published proprietary data and named proof. That is where the opening was, and it set the brief for everything after: show substance rather than imitate scale.

Competitive review

Category

How the global firms and the direct competitors present themselves

Comparison

Claims, evidence, content and the structure of their sites

Direction

Where Ashwood could be distinct without becoming unfamiliar

The position

Kiln put the firm's account of itself under a questionnaire, a long discovery session and the conversations after it, and treated the copy, figures and assets it already had as evidence to test rather than material to keep. Several did not survive. What the work settled is that the breadth was client-led rather than a gap, and that the specialism was the trust which keeps clients returning. Everything after was drawn against that.

Positioning proposal

Purpose

Why the firm exists and what it protects

Audience

Clients first, candidates a strategic second

Position

Trust and continuity as the specialism

Evidence

Only claims the firm could source and defend

Story and voice

With the position agreed, Kiln wrote it out: a story, a message structure, a manifesto, and a verbal identity setting how it should sound. All of it before any visual work, so the routes had something specific to represent and everyone writing for the firm since has worked from one basis.

Communication system

Story

Origin, core message, manifesto and short account

Voice

Principles, tone by context and working vocabulary

Expression

A shared basis for the site, the documents and publishing

Explorations

Wordmarks, colour routes and a serif line were drawn and set aside first. Two ideas got far enough to be drawn properly: that a firm which locates people it cannot see is triangulating, which the first two figures test, and a separate route about what happens after a search rather than during one. All three are rebuilt here from their own source.

Three tests of the idea

The bearings overshoot each other, so the crossing is observed rather than asserted. They carry a small error, so they cross in three slightly different places, and the circle is drawn to hold that scatter. It is the surveyor's cocked hat as a circle, and that correction is what makes the mark read as measured rather than drawn. The fix taken into three dimensions, inside a shell of points rather than on a plane. Hairline edges, one node located, and depth read from line weight and opacity rather than from glow, which is the difference between this and the reference it came from. A separate route, and a contender for the mark in its own right. Each engagement arcs out over the line and the client comes back under it, from further along: the gap is the lapse between the two, and because the return sets off from further out it is always the wider arc. Run out, every return comes home to the same origin and the spans nest, which is the firm's relationships drawn rather than asserted.

Reach

Reach. The firm's own figures: appointments made in more than thirty countries, worked from three offices, with share of revenue on the ring. The question the figure answers is not where the firm is but how far it reaches, which is the one a search client asks.

The mark

What the first test settled became the mark. It is drawn to a specification rather than to a sketch, so it can be handed on without the drawing being argued again, and it holds at the size of a favicon because nothing in it needs explaining. The loop at the top of the page is its own motion asset, running as it does on the site.

The scheme

The scheme

Two routes were put up: one carrying colour, one holding to greyscale with a single accent. The founder chose the greyscale, and the decision stopped being a preference the moment it was written down as values with the jobs they do.

Fixing it as a specification rather than as a mood is the point. A document made next year can be checked against this instead of argued over, and the accent stays rare because the rule says where it is allowed to go.

The website

The site is built from the identity rather than beside it: the same mark, the same width axis carrying the hierarchy, the accent used once on a view. Below are six views of the proposal, shot from the working build.

The website

What was delivered

A strategic and verbal foundation came before the identity did. Everything after it, the routes, the mark, the scheme and the site, was drawn against something already agreed and written down.

Identity and working assets

The identity was handed over as a working kit rather than as a presentation, with its instructions on a maintained page rather than in a document that goes out of date.

The foundation

Competitive landscape

Category review, feature comparison and direction

Positioning

Purpose, audiences, competitive frame, promise, evidence

Story and voice

Narrative, messages, tone and vocabulary

Content system

Sector taxonomy, site structure and the site copy

Identity and working assets

  • 01 Logo The mark and the three lockups, ink and reversed, SVG and PNG
  • 02 Type The typefaces, cut to the widths the identity uses
  • 03 Motion The mark building, as an animated SVG and a GIF
  • 04 Icons Favicon and Apple touch icon
  • 05 Documents Five templates: proposal and statement of work, candidate briefing pack, market mapping report, letterhead, terms
  • 06 Signature The email signature, built to be pasted rather than attached
  • 07 Social Banner, avatar and cover, each in three schemes
  • 08 Reference The identity document, and the decisions that followed it
  • Outcome

    The firm has launched its business development programme on the identity, and the website is the last layer, still in build. The clearest change is neither of those: the founder stopped describing the firm as generalist and started giving a specific answer for why breadth is the offer. The answer was his. It surfaced by being asked directly.

    Previous, Venice Beach 1910

    Next, Brooklyn 2010